- #The monster from the blair witch project 2016 stills movie
- #The monster from the blair witch project 2016 stills tv
We just knew that we wanted it to feel as real as possible. We honestly didn’t know whether what we were doing we just a big mess, whether it was actually scary or not. Whenever we pitched the film to anybody there was always a visceral response. But really we just wanted to get our names out there and build a career for ourselves.
Our wildest dream was to make something as successful as Clerks or El Mariachi. That’s when The Blair Witch Project really started to take shape. People were like, ‘Well, I want to know if it’s real and who the Blair Witch is.’ Based on that screening, after a lot of soul searching and some creative back and forth, we ended up scrapping all of the phase two stuff. We had everyone fill in a questionnaire about the film – what additional information they wanted to know about the story. We had to figure out which one was more relevant, and we went with Heather’s because she was leader of the project and she had more to apologise for than Mike did.Īfter editing phase one into a rough three-hour cut, we put on a test screening for some of our closest friends at the Enzian Theater in Orlando, mostly to help us decide how much backstory to put in and how much of the documentary stuff did we needed.
For example, with Heather’s confession at the end, Mike did a confession too. So it became a case of having to decide what to cut. We ended up with so much footage – something like 20 hours – that could have been edited to make a much longer film, and we wouldn’t have had to repeat anything. There were only two scenes that required us to do multiple takes. Somehow we managed to get all those original ideas on video.
#The monster from the blair witch project 2016 stills movie
We still kept around 95 per cent of the original beat of the movie and the script. That’s really the story of the film: it was all done very quickly and spontaneously. The ending we eventually came up with was a very spontaneous idea which we executed very quickly. How do you shoot a satisfying ending to this movie? That was a big thing for us. We hadn’t quite figured out what would happen in that house. It’s the only time in our careers where we didn’t even know the rules we were breaking.īut we still didn’t have an ending. Of course, it was also a very exciting time for us.
Most of the time we were either prepping the next scene – putting stick men in the trees for example – or planning the next day. It was very tiring and exhausting for all involved. We had to make sure they had food and water, the batteries in the camera had to be charged – all that technical stuff. But then we couldn’t actually hear them, so we abandoned that pretty quickly.Īt that point it became about building a world around the actors, giving them only the most basic logistical information they needed. We set up these areas – we thought of them as directing nodes – where we could watch the actors. We wanted to limit our contact with them, so at first we just sort of shadowed them. We were in those woods working on pre-production for almost a month, using GPS systems to set up all the different waypoints where the guys would be camping. Everything had to be meticulously thought out and planned. The logistics of navigating three actors through the woods was a constant challenge. People don’t realise how much work went into creating the stage for the actors to perform. It was a continuous shoot, where the actors were the cameramen and all the dialogue was improvised.
#The monster from the blair witch project 2016 stills tv
We shot the movie in two sections: phase one, which is everything in the woods, and then phase two, which ended up being used for the Curse of The Blair Witch TV documentary. The phase one stuff was shot over about eight pretty intensive days. It was supposed to be more of an investigative documentary about the Blair Witch, featuring interviews with the parents and the investigators. Our original vision was very much like an In Search of… episode.
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